This unusually absorbing book will enthrall Cockburn fans and anyone interested in the life of a serious artist committed to...
The Canadian folk/rock singer-songwriter recalls a nomadic life spent witnessing the social and political crises of our time through song.
Cockburn (b. 1945) proves to be a natural storyteller in this debut, which begins with his shy, lonely childhood growing up in a comfortable Ottawa family and traces his rise as a celebrated guitarist who moved from 1960s coffeehouses to concert halls to such hit recordings as “Wondering Where the Lions Are” (1980) and “If I Had a Rocket Launcher” (1984). Known for his eclectic musical tastes—jazz, rock, blues, reggae, folk, country—he entered the Canadian Music Hall of Fame in 2001. Writing with intelligence and candor, he tells how other artists—from Bob Dylan and Allen Ginsberg to Doris Lessing and Christian/occult author Charles Williams—influenced his thinking and work and sparked his lifelong activism against war, injustice and exploitation. Cockburn reflects at length on his keen interest in Christian mysticism and the “active benevolence” of the Bible, his view of his protest songs as cries of spiritual anguish, and his travels to troubled parts of Central America, Africa and elsewhere, where injustices touched him and turned into songs like “Rocket Launcher,” which he wrote after meeting with survivors of genocide against Mayan people by Guatemalan militias. “What doesn’t kill you makes for songs,” he writes. Long repressed and preferring “a covert life,” Cockburn writes that it took him many years to feel comfortable performing for audiences and to break out of the “bonds of isolation for the infinitely elastic bag of human absurdity.” He recalls his early unsuccessful marriage and subsequent intimate relationships with a series of strong women, including an unidentified “Madame X,” who helped him open up emotionally in the 1990s.
This unusually absorbing book will enthrall Cockburn fans and anyone interested in the life of a serious artist committed to his music and progressive causes.Pub Date: Nov. 4, 2014
ISBN: 978-0061969126
Page Count: 544
Publisher: HarperOne
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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