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QUINTER

Readers should welcome this spy novel about a lawyer who prefers action over words, in both love and war.

First-time novelist Keller weaves the tale of a lawyer working for a company that may have shady Middle Eastern contacts and a willingness to resort to murder.

Thomas Quinter, a lawyer with a small firm in 1987 Cleveland, is offered a job by David Bordman, an old friend who was his commanding officer in the Navy. Bordman, VP for arms manufacturer Nortex, enlists Quinter to scout real estate in Spain while the company moves some of its business there. But a ransacking of his office and attack on Jennifer, his secretary and former lover, is only the start of his troubles. Soon, he’s noticing people watching and following him, and Quinter suspects an Iraqi connection to Nortex. The novel begins as noir, but ultimately, it’s a story of espionage and romance that gives equal air time to exposing Nortex’s deadly secrets and Quinter and Jennifer’s romance. The protagonist is shrouded in mystery, which sometimes works and sometimes doesn’t. Quinter’s time in Naval Intelligence may explain owning a gun but not why he has a silencer or an ability to pick locks. But enigma surrounding his background makes him a more curious character, particularly when he employs his skills as Jennifer and he evade scimitar-armed men. But not clarifying the “petty meanness” of Quinter’s divorce backfires when a flashback generates more sympathy for his ex-wife, who spies the lawyer getting cozy with his secretary. On occasion, descriptions of the scenery and sumptuous meals in Spain overtake progression of the plot—Quinter and Jennifer, knowing that the bad guys are in pursuit, stop at a cafe for a bite to eat. But overall, there’s a commendable fusion of a contemporary Middle Eastern conflict with old-school storytelling: Quinter twice uses the classic distraction of “Do you have a match?” and a kidnapped Jennifer seduces one of her captors. Not everything is explained, but the ending leaves just enough open to pave the way for a potential follow-up.

Readers should welcome this spy novel about a lawyer who prefers action over words, in both love and war.

Pub Date: June 29, 2012

ISBN: 978-0984789801

Page Count: 224

Publisher: Quinter LLC

Review Posted Online: Oct. 9, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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