An easy, breezy, pocket-sized slice of political humor.
Longtime New Yorker staff writer Trillin (Quite Enough of Calvin Trillin: Forty Years of Funny Stuff, 2011) puts his patented poetic spin on the 2012 presidential election.
Again exercising an uncanny knack for producing poetical discourse on the political playing field, Trillin (Deciding the Next Decade: The 2008 Presidential Race in Rhyme, 2008) offers pithy ruminations and droll observations on the Obama-Romney race. He justifies the canine-inspired title with a short opening rhyme comparing Romney’s 1983 road-tripping vacation with pet Irish setter Seamus strapped to the roof of the family car to Obama’s Indonesian boyhood when he sampled dog meat. Sprinkled in between Trillin’s play-by-play analyses of both campaigns are encapsulated poems borne from media headlines. These snarky, bite-sized morsels skewer the likes of Senatorial candidate Christine O’Donnell (“Until you came along one day, old witchcraft jokes had been passé”), Rick Perry (“with even more impressive hair than Kerry”), “holier than thou” Rick Santorum, Newt Gingrich (“a crafty wheeler-dealer. His baggage, though, would fill an eighteen-wheeler”) and Donald Trump (“once he’s had his say…and say…and say, he, blessedly, will finally go away.”) Not all the couplets and cadences churn smoothly; a few clunkers feel overly trivial and forced, as if the author became bored with the political semantics. As a collective work of creative nonfiction, his harmlessly sarcastic poetry is skilled, and the book will serve as a good complement to Elinor Lipman’s uniformly clever election-season poem-a-day chronicle, Tweet Land of Liberty (2012).
An easy, breezy, pocket-sized slice of political humor.Pub Date: Nov. 20, 2012
ISBN: 978-0-8129-9368-4
Page Count: 176
Publisher: Random House
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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