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THE BLUE-RIBBON JALAPEÑO SOCIETY JUBILEE

A high-spirited, romantic page turner.

Ruthless gossip, philandering husbands, flawless makeup, hunky bartenders and true friendship bring Cadillac, Texas, into vivid focus. 

Brown (Just a Cowboy and his Baby, 2012, etc.) brings her cowboy-romance writing talents to bear on this hilarious tale of women in a gossipy small town. The social bully and queen of the town’s jalapeño club, Violet Prescott, may look ridiculous in her pantyhose and bottle-black hair, but she has spent her nearly 80 years on Earth controlling every woman in town. Dominating the other 20 women in her club, Violet insists on pantyhose and frames every blue ribbon won at the annual jubilee—blue ribbons that rightfully belong on the walls of Miss Clawdy’s Café, since Claudia Andrews concocted the soil in which the prize-winning peppers have grown for the last 40 years. But this year, she may have gone too far. Claudia’s daughters, Marty and Cathy, and their best friend, Trixie, run the Café. Cathy is engaged to Ethan, Violet’s lukewarm son with political aspirations. Faced with a prenuptial contract but no “I love you,” Cathy is beginning to reassess her plans, particularly after Violet arranges for the town to reconsider the Café’s zoning status. Having a weekly tryst with her no-good ex-husband is turning out to be more dangerous than Trixie bargained for. She’s less worried that Anna Ruth (Andy’s histrionic, hyperorganized new girlfriend—and most recent addition to the jalapeño club) will find out than that Cathy and Marty’s Aunt Agnes will shoot any man in her bedroom dead. It’s a good thing Darla Jean—former hooker turned preacher and savior of abused women—lives across the street, ready to run interference at a moment’s notice. Fast-paced, the intertwined tales collide along a bumpy road toward a surprising calamity at the jalapeño jubilee.

A high-spirited, romantic page turner.

Pub Date: March 1, 2013

ISBN: 978-1-4022-8126-6

Page Count: 336

Publisher: Sourcebooks Landmark

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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