by Catharine Savage Brosman ‧ RELEASE DATE: May 1, 2003
Densely written, polemical, intermittently astute.
More essays from Brosman (The Shimmering Maya, 1994), who ranges from travel to literature, solitude to society.
Although most of the pieces previously appeared in journals like American Scholar and Sewanee Review, the collection has been gathered to commemorate the author’s retirement after four decades teaching French language and literature at Tulane. This metaphoric watershed gently guides Brosman’s reflections, which include contemplative entries on her Western roots, her fidelity to her adopted city of New Orleans, European travels, and more jaundiced takes on the contemporary scene. “A House Apart” returns to her grandparents’ home in Denver, where Brosman spent idyllic years being taught self-reliance: “As a child I cared almost nothing for what anyone thought except the family.” She hits the road in essays like “The Immeasurable Sky,” mining the isolated communities and austere beauty of rural Texas and Louisiana for well-realized experiences. When she attends a horse-cutting competition, she comments approvingly, “These families are not dysfunctional, the adolescents not in the streets.” Contrastingly, she relishes the opportunity to drub Aspen’s youthful gliterati for shallowness and hypocrisy upon attending that community’s “Sneaker Ball,” so named because the posh folks sport outlandish sneakers with formal wear. Brosman’s lifelong dedication to French poetry and philosophy informs her essays to positive effect, with references ranging from Rousseau and Voltaire to Sartre and Valéry, and her command of naturalistic detail is strong. Less praiseworthy are the stridently rightist asides reminiscent of Gertrude Himmelfarb, ranging from an expressed distaste for affirmative action in an essay with generally perceptive thoughts on urban race relations (“Getting Along”) to familiar caricatures of “black-shirted, black-trousered, black-cravated French expatriate intellectuals.” These remind us that conservatives and resentful academics also have a vested interest in maintaining the “culture war” they supposedly decry. Perhaps Brosman will find a second career as an aspirational author for the Ann Coulter contingent.
Densely written, polemical, intermittently astute.Pub Date: May 1, 2003
ISBN: 0-87417-538-0
Page Count: 216
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
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BOOK REVIEW
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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