A tense, beautifully written page-turner with a truly unsettling denouement.
The murder of her cousin moves a Scottish woman to explore her past.
When her husband divorced her, Tabitha Lawson lost not only her marriage but her job, since he anonymously told her employer about a schizophrenia diagnosis she hadn’t revealed to them. Her son chose to live with his father; Tabitha moved in with her mother, Zelda, whose dark paintings give her nightmares. So do the dark waters of the loch she’s lived nearby most of her life. Her cousin Davey Muir, a coder and collector, and his friend Gordo spend a lot of time with Barrett, a divorced gardener with two teen girls, picking up litter near the loch. It’s all very routine until Gordo reports a mysterious underwater explosion at the loch, which is set to be drained and turned into parkland. When Davey doesn’t answer his door, Tabitha gets the police to investigate just as Barrett and Gordo arrive to find Davey dead. Although he’s left what looks like a suicide note, his friends can’t believe he’d kill himself. Neither can Tabitha, who’s inherited everything he owned. When she, Barrett, and Gordo clean out his house, which is packed to the rafters with junk, they start uncovering long-hidden family secrets. Tabitha and her sister, Jocasta, and Davey and his brother, Johnny, all grew up together, children of a pair of brothers who both died by suicide. The marriage of Jo and Johnny puts even more pressure on the turbulent family dynamics. Tabitha, Davey’s friends, and their teenage children launch an investigation that will reveal that everything Tabitha thought she knew about her childhood is based on false memories.
A tense, beautifully written page-turner with a truly unsettling denouement.Pub Date: June 4, 2024
ISBN: 9781448312078
Page Count: 288
Publisher: Severn House
Review Posted Online: April 17, 2024
Kirkus Reviews Issue: May 15, 2024
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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