A tense, beautifully written page-turner with a truly unsettling denouement.
The murder of her cousin moves a Scottish woman to explore her past.
When her husband divorced her, Tabitha Lawson lost not only her marriage but her job, since he anonymously told her employer about a schizophrenia diagnosis she hadn’t revealed to them. Her son chose to live with his father; Tabitha moved in with her mother, Zelda, whose dark paintings give her nightmares. So do the dark waters of the loch she’s lived nearby most of her life. Her cousin Davey Muir, a coder and collector, and his friend Gordo spend a lot of time with Barrett, a divorced gardener with two teen girls, picking up litter near the loch. It’s all very routine until Gordo reports a mysterious underwater explosion at the loch, which is set to be drained and turned into parkland. When Davey doesn’t answer his door, Tabitha gets the police to investigate just as Barrett and Gordo arrive to find Davey dead. Although he’s left what looks like a suicide note, his friends can’t believe he’d kill himself. Neither can Tabitha, who’s inherited everything he owned. When she, Barrett, and Gordo clean out his house, which is packed to the rafters with junk, they start uncovering long-hidden family secrets. Tabitha and her sister, Jocasta, and Davey and his brother, Johnny, all grew up together, children of a pair of brothers who both died by suicide. The marriage of Jo and Johnny puts even more pressure on the turbulent family dynamics. Tabitha, Davey’s friends, and their teenage children launch an investigation that will reveal that everything Tabitha thought she knew about her childhood is based on false memories.
A tense, beautifully written page-turner with a truly unsettling denouement.Pub Date: June 4, 2024
ISBN: 9781448312078
Page Count: 288
Publisher: Severn House
Review Posted Online: April 17, 2024
Kirkus Reviews Issue: May 15, 2024
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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