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BURNING DOWN THE HOUSE

ESSAYS ON FICTION

In nine repackaged essays, novelist and short-story writer Baxter (Believers, p. 76, etc.) scorches such fictional, and social, trends as mandatory epiphanies, preachified characterizations, and the absence of villainy. To touch on his sore spots about current fiction and ``the storytelling of everyday life,'' Baxter often opens with overtly mundane scenes, such as funeral eulogies, gossipy parties, or the Disney movie Snow White and the Seven Dwarfs, before moving on to sometimes slender fictional parallels. A Dow Chemical flack's actual description of the physical side effects of a chemical spill as a ``vomiting-type thing'' aptly starts off an appreciative essay on Donald Barthelme's humorously fractured and irrational portrayals of the modern world. But more often, Baxter crankily stretches his conceits without producing much tension: Observations about Jimmy Swaggart's resemblance to an abusive father appear in a study of melodrama; and in an exploration of the cults of victimhood and deniability, he cites such disparate examples as Jane Smiley's novel A Thousand Acres and the memoirs of Richard Nixon (``the greatest influence on American fiction for the last twenty years''). His complaints seem to be less with bad writing than with ``the postmodern impatient, middle-class Puritan'' (whoever that may be) and American culture's expectations of revelations, action, and moralized ``human clichÇs'' in contemporary fiction. His generalized social commentary aside, Baxter's aesthetic criticism has some modest insights (e.g., the recurrence of gum-chewing in Lolita). Typically, though, it's pedestrian, and occasionally it's self-serving. When he tries to get additional mileage out of such canonical standards as The Great Gatsby or The Death of Ivan Ilyich, there is little that seems fresh or startling. Much as he tries to challenge conventional taste, Baxter often gets stuck halfway between his idiosyncratic aesthetics and his narrative dislikes.

Pub Date: April 1, 1997

ISBN: 1-55597-256-X

Page Count: 248

Publisher: Graywolf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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