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AND SO IT GOES

KURT VONNEGUT: A LIFE

Indeed, Vonnegut emerges as irascible, ungenerous and usually unkind, “flinty, defensive, and sarcastic,” which will surely...

The life of a once-lionized writer who is gradually, it seems, being forgotten today.

“We are what we pretend to be,” wrote Vonnegut in his novel Mother Night, “so we must be careful about what we pretend to be.” Vonnegut didn’t pretend to be much, preferring to let others invent roles for him, such as shaggy-haired dispenser of goofy wisdom or the dark chronicler of the gloom and doom that technology and consumerism would one day visit upon us all. One has to feel some pity for Shields (Mockingbird: A Portrait of Harper Lee, 2006, etc.), who began this biography with Vonnegut’s blessing; alas, Vonnegut died as Shields was beginning to work, and Vonnegut’s widow and son deauthorized the book, refusing to allow Shields to quote directly from a body of 258 letters that Shields himself had “received from his correspondents.” The result is a slightly choppy piece, though the main threads will be familiar to readers of Vonnegut’s work. For one thing, he was a moralist through and through—and a self-aware one who noted, “People are constantly demanding moralizing…that’s certainly what people want to hear when they ask me to lecture.” For another, Vonnegut quite deliberately chose the vehicle of science fiction to warn about the dangers of science—though, as Shields’ book illuminates, at least some of Vonnegut’s distaste for technology was a reaction to a brother with whom he had lifelong issues. Though guilty of unnecessarily overwritten passages, Shields is a sympathetic and responsive reader of Vonnegut’s work, which deserves to be taken seriously even when so often dismissed as literary pranksterism, and even though the last couple of decades of it frankly wasn’t very good. The author also cuts Vonnegut some of the necessary slack, since to be a writer by definition is to be a selfish and peevish being—and so Vonnegut was.

Indeed, Vonnegut emerges as irascible, ungenerous and usually unkind, “flinty, defensive, and sarcastic,” which will surely disappoint admirers who wanted him to be something better.

Pub Date: Nov. 8, 2011

ISBN: 978-0-8050-8693-5

Page Count: 544

Publisher: Henry Holt

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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