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THE GALLERY OF MIRACLES AND MADNESS

INSANITY, MODERNISM, AND HITLER'S WAR ON ART

A revelatory look at the “gangplank for the Holocaust.”

A powerful and disturbing portrait of a devastating chapter in the history of Nazi terror.

In the fall of 1939, Hitler began a program to cleanse Germany of those he deemed “unworthy of life”—particularly individuals diagnosed with mental illness, epilepsy, “feeblemindedness,” or alcoholism or engaging in criminal or anti-social behavior, however minor. Although an extensive sterilization project already addressed the problem of procreation, Hitler preferred killing, thereby saving the nation the cost of supporting “useless” individuals. Identified by eugenicist physicians and psychiatrists, the individuals were sent to a country mansion to be gassed with carbon monoxide. The euthanasia program had begun earlier with the killing of children identified by midwives as suffering from “certain conditions, including ‘idiocy and mongolism’ (especially cases involving blindness and deafness); microencephaly; severe or progressive hydrocephalus”; or physical “malformations of any kind”; some were condemned because their parents were Jewish. About 6,000 babies were murdered, either by injection or, often, starvation. As journalist and arts editor English reveals in an absorbing contribution to the horrific history of Nazi Germany, the program that began in 1939 was complicated by Hitler’s fraught connection to art. Rejected for admission to Vienna’s stodgy Academy of Fine Arts in 1907, Hitler portrayed himself as an artist for the rest of his life, and he saw art as a potent cultural force. Not surprisingly, he vilified modernist artists—such as Max Ernst, Paul Klee, and Egon Schiele—who exalted the irrational, primitive, and mad. As a prominent theme in modernist art, insanity found a champion in the psychiatrist Hans Prinzhorn, a leading intellectual in the 1920s who saw striking works among his own mental patients. Collecting samples from asylums, he published Artistry of the Mentally Ill, a volume celebrated by modernists. Many of the artists Prinzhorn discovered—men Hitler damned as “degenerates and lunatics”—became victims in the euthanasia program, which the author trenchantly brings to life.

A revelatory look at the “gangplank for the Holocaust.”

Pub Date: Aug. 10, 2021

ISBN: 978-0-525-51205-9

Page Count: 336

Publisher: Random House

Review Posted Online: May 19, 2021

Kirkus Reviews Issue: June 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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