Quirky and sweet.
A debut novel about the families we’re given and the families we create.
Andrea Morales is reeling from multiple romantic disappointments when she does the unthinkable: she has sex with a man. What should have been a one-time hook-up turns into a regular thing because it feels good to be wanted, and Ryan wants her. Of course, Andy has to keep this act of heresy a secret from the “lesbian Mafia,” but that becomes impossible when she gets pregnant and decides to have a baby. The first section of this novel is set in Portland, Oregon, in 1998 and '99. This is the place Andy lands when she leaves small-town Nebraska and her parents behind. Portland is no Seattle, but there are plenty of hipster signifiers. Andy works in a letterpress studio. Her friends include a stripper and an apprentice tattoo artist. Just about everybody’s in a band. In Andy’s voice, Johnson depicts these people and this time with a fondness that borders on overfondness. Every detail is precious, and Johnson is sometimes given to overwriting. The amount of time that passes between Andy and Ryan’s first night together and their eventual split is just a few months, but it takes up more than half the book. There’s a short middle section devoted to a brief period in which Andy and Ryan are negotiating their future. This is told mostly in phone messages and unsent letters, and the device works to convey disconnect and miscommunication. A decade has passed by the time we reach the third section, and this is where one might wish that the first part of the novel had been tightened up to allow more development here. Andy is happily settled with Beatriz, the love of her life, when 10-year-old Lucia gets curious about her father. This part of the narrative feels rushed. Neither Beatriz nor Lucia emerges as anything more than sketches, and all-grown-up Andy and Ryan get short shrift, too. Still, this is a welcome look at a happily unconventional family.
Quirky and sweet.Pub Date: March 17, 2018
ISBN: 978-0-06-266668-0
Page Count: 432
Publisher: Custom House/Morrow
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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