A teenager who has it all—perfect body, perfect personality, perfect grades, perfect boyfriend—loses it when she gains a hundred pounds in this unsubtle but ultimately savvy problem novel that reads like an Alicia Silverstone vehicle waiting to happen. A 118-pound beauty pageant veteran at 16, Lara is elected Homecoming Queen while still a junior. Then, for no discernible reason, she starts to gain weight, and her glittery world comes crashing down. Desperately putting her complacent philosophy— ``If you dream it, you can do it''—to the test, she embarks on increasingly stringent programs of diet and exercise, to no avail. Drugs and counseling fail, too; she gains more weight even while on a monitored starvation diet before learning that she might have Axell-Crowne Syndrome, a rare metabolic disorder with no known cure. Meanwhile, as the numbers on the scale climb steadily and Lara's self-image goes into a tailspin, she experiences the social cost of being fat: the comments that range from catty to helpful to devastating; the unwarranted assumptions about her personal habits; the skepticism of peers and doctors; the creeping sense of being invisible. Bennett takes Lara through the whole patch with brutal directness, allowing her one loyal best friend and a boyfriend who means it when he says he still loves her. While the hazard of setting unrealistic standards of beauty is a familiar theme in teen novels, the author lays out the issues with unusual clarity, sharp insight, and cutting irony. The book's aim is not high culture but high school culture, and it scores for pure entertainment value. (Fiction. 12-15)
Pub Date: March 1, 1998
ISBN: 0-385-32274-7
Page Count: 259
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
BOOK REVIEW
BOOK REVIEW
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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