This celebration of a child’s agency in choosing a means of artistic expression strikes just the right note.
Finding just the right instrument to play means a lively trip to the music store to try them all out.
Of all the instruments that slide, squonk, blow, and honk, a young, white would-be musician must select just one. At first it’s a little overwhelming to be surrounded by 88 instruments. Patient parents stand by as the child experiments with an accordion, bagpipes, triangle, saxophone, harp, and drums. The variety of musical sounds is reinforced by rhymes reminiscent of Dr. Seuss: “Do I pick the squeeziest? / The wheeziest? / The easiest and breeziest?” The rhythmic, onomatopoeic text dances across exuberant watercolors with lots of movement. Characters and instruments are lightly drawn and set against a white background to great effect. Musicians will anticipate the outcome of this exuberant adventure from the title, as the child discovers the one instrument that captures the range of musical possibilities—the piano. For a book that targets the musically inclined, it’s unfortunate that design overshadows meaning in the cover art, where the title is backed by a bit of score that makes no musical sense, including two notes with ledger lines on spaces where they don't belong. The minor error can be overlooked in an otherwise delightful book.
This celebration of a child’s agency in choosing a means of artistic expression strikes just the right note. (Picture book. 5-8)Pub Date: Aug. 16, 2016
ISBN: 978-0-553-53814-4
Page Count: 32
Publisher: Knopf
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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