A smart, sexy romance for readers who thrive on girl power.
In star-studded Hollywood, a blossoming romance between two talent agents grinds to a halt when their agencies merge and there’s only enough room for one of them.
Evie Abbey and Carter Aaron have the ultimate meet-cute when they both show up solo to a couples' Halloween party thrown by mutual friends. As the only single people in attendance, they bond over the awkwardness of their situation and the coincidence that they’re both dressed as characters from Harry Potter. Since they both know how demanding an agent’s schedule can be, they try to keep things platonic, until they experience one mind-blowing date. But there’s no morning-after glow once they arrive at their offices Monday morning to learn that their agencies have merged and the two of them will be working together until their contracts are up and a decision can be made on who stays and who goes. Though Evie and Carter do their best to act as a team, Evie’s frustration at the boys’ club atmosphere that emerges turns their workplace competition into a full-blown battle of the sexes. Carter is the boy next door, with an infectious sense of humor, while Evie is a fearless, feminist powerhouse. Her struggles as a modern woman, having to work twice as hard as a man for the same job, endure being called “girl” and “kiddo,” and exhaust herself over remaining assertive yet still approachable, elevate the book from a romantic comedy to a deeper tale about trying to have it all in a world that can be unforgiving to what’s often seen as the fairer sex. The romance is deliciously tense, as readers will be begging for Carter and Evie to just kiss already. Filled with high jinks, pop-culture references, and grin-inducing flirtation, it's truly a romance for the 21st century.
A smart, sexy romance for readers who thrive on girl power.Pub Date: June 6, 2017
ISBN: 978-1-5011-6581-8
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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