A riveting examination of war and its effects set in a nonmagical alternative past. The war is over, but beyond the battlefields its impact is just starting to be felt. Like a stone cast in a pond, a father tells his daughter, “it’s thrown and done, but the ripples do take longer to spread and flatten. That’s what this is, the ripples.” Early chapters of this extraordinary debut (published in Australia as Bloodflower in 2009) are loosely connected vignettes focusing on the ripples farthest from the center: families on the losing side whose sons didn’t return, the one son—Cam—who did, refugees who arrive and move in. Gradually, readers are drawn back to the center, to those who waged and won the war. At the center are Cam and Gyaar, the victor’s son. The fateful choices of each drive the plot, but the details of how war changes everyone are what matters most. The losers’ village and social order are disrupted, but for some, like battered wife Ellaner and misfit Ban, change is oxygen. For the victors, change is more comfortable but equally unforeseen and uncontainable. Grounding the story are the closely observed characters and their world—vivid, flawed and immensely appealing. Like Margo Lanagan, Hinwood doesn’t trade in black-and-white moral absolutes but directs her attention, and ours, to the infinite shades of gray that lie between them. (Alternative historical fiction. 12 & up)
Pub Date: April 1, 2011
ISBN: 978-0-8037-3528-6
Page Count: 312
Publisher: Dial Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 15, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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