Still, despite the weaknesses: a dazzling start for a writer we want to hear from again.
Often brilliantly written if far too brief first novel from Schutt (Nightwork, stories: 2000) about a dotty AWOL mother and her young daughter set adrift among rich relatives in the Midwest
To narrator Alice, “Florida” signifies the hopeful period before her father died in a car accident, the dream of sunshine and good times that her flighty, pampered mother, also named Alice, recalled as she worked on her winter tan in a sunfoil bed. By the time Alice is ten, Mother has run through a succession of abusive men she refers to collectively as “Walter,” and her own private Florida becomes the refuge she takes in the sanitarium for the rest of her daughter’s childhood. Mother’s desertion leaves Alice in the care of wealthy relatives who live in various houses along a lake in the chilly “land-of-lakes state.” First, she’s stuck with stingy, proprietary Aunt Frances and flashy, adventurous Uncle Billy; only their loyal uncomplaining driver Arthur displays real fondness for Alice. As a teenager, she lives in the fabulously appointed Big House of her aged Nonna, wheelchair-bound and mute after a stroke. Schutt’s narrative is made up of elegant, sometimes maddeningly elliptical vignettes repetitively entitled “Mother” or “Arthur” or “The Big House.” These furnish tidbits of memory about each character or place: Uncle Billy takes the family along “prospecting” in Arizona, Nonna reveals that she never had any room in her heart for her wayward daughter. Schutt has an ear for marvelous, startling sentences. “The brown yolks of his eyes had broken and smeared to a dog-wild and wounded gaze,” she writes of one Walter; young Alice’s high-school teacher, Mr. Early, the first to encourage her to write, is described as “pinball body, angry nose and bald spot.” Unfortunately, the underdeveloped second part, following Alice to New York to teach literature while Mother gradually deteriorates in homes in California, never holds together.
Still, despite the weaknesses: a dazzling start for a writer we want to hear from again.Pub Date: Oct. 1, 2003
ISBN: 0-8101-5150-2
Page Count: 160
Publisher: Northwestern Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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