A haunting but quietly hopeful set of tales that’s perfect for a cozy fall read.
Barzak’s lyrical short story collection reimagines fairy tales and other classic stories.
The adaptations draw on children’s classics such as Brothers Grimm fairy tales, J.M. Barrie’s stories of Peter Pan, and L. Frank Baum’s The Wonderful Wizard of Oz (1900) to literary staples such as Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892)and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde (1886). Familiarity with the original tales certainly enhances the reading of these well-written retellings, but the latter can stand on their own. Barzak’s favored approach is to retell a story from the perspective of an overlooked, tertiary character, frequently imagining them as queer but trapped in heteronormativity, just as they’re trapped in narratives that sideline and shortchange them. There are effective themes of classism as well, with the shifted perspective giving voice to those on the stories’ periphery. As a result, the stories in this compilation put forth new heroes for modern readers. The prose is elegant and old-fashioned but accessible, with occasional allusions to the original texts’ language, as in “Eat Me, Drink Me, Love Me,” an adaptation of Christina Rossetti’s “Goblin Market” (1862), one of the many highlights in this collection, in which the prose seems to sing in harmony with the original work: “Sometimes, as I came to see if the peach kernel was growing, I would be deluded by visions of ripe berry bushes, the way a thirsty traveler in the desert will see water where no water flows.” “Invisible Men,” inspired by H.G. Wells’ novel The Invisible Man (1897) is less successful, as Barzak’s attempt to relate his protagonist’s rural Sussex dialect is inconsistent.
A haunting but quietly hopeful set of tales that’s perfect for a cozy fall read.Pub Date: Sept. 8, 2023
ISBN: 9781590217610
Page Count: 218
Publisher: Lethe Press
Review Posted Online: Oct. 19, 2023
Kirkus Reviews Issue: Dec. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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