A paranormal thriller begging for a slot in airport bookshops.
There are secret agents and then there are secret agents, like the undead predator protecting the White House.
Debut novelist Farnsworth expands his cinema-ready concept for a screenplay into this rousing if ridiculous mash-up of spy stories and vampire vogue. Our point of view is provided by swaggering D.C. political operative Zach Barrows, who is rewarded for his service as deputy director for White House affairs with the weirdest appointment ever. Secret Service Agent Griffin takes the new kid into a secret trophy room hidden in the Smithsonian’s Castle, where a young, pale warrior awaits. Barrows soon learns that he’s to be the liaison to Nathaniel Cade, a real-life vampire who was drafted into service after he was pardoned by President Andrew Johnson in 1867. Cade’s role is to protect the country from ghouls and bogeymen that make al-Qaeda seem friendly. Like all good bloodsuckers these days, Cade can go out during the day and only drinks animal blood. “Someone has to hold the line,” Griffin says. “That’s what we do. We fight every incursion they make. They invade; we repel. Forget the War on Terror, Zach. This is the War on Horror. And you’ve just been drafted.” Farnsworth does an admirable job of integrating his clichéd creation into American history (Nixon wants to unleash his pet vampire against Woodward and Bernstein, but Cade’s deal precludes it) and into a juicy techno-thriller story. This first entry finds a rogue scientist, Johann Konrad Dippel (the inspiration for Mary Shelley’s Frankenstein), plotting to use the corpses of American soldiers as weapons. The book, complete with clipped prose and wildly unbelievable action sequences, strongly recalls the supernatural thrillers of Matthew Reilly. Fun stuff if you like this sort of thing, but its amalgamation of concepts from Twilight, 24 and CSI make it feel like it was cooked up in a focus group.
A paranormal thriller begging for a slot in airport bookshops.Pub Date: May 18, 2010
ISBN: 978-0-399-15635-9
Page Count: 400
Publisher: Putnam
Review Posted Online: Jan. 6, 2011
Kirkus Reviews Issue: Feb. 15, 2010
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
