Next book

ONCE A THIEF

Riske is still Riske, and the automotive world is still the better for it.

Simon Riske drives again but not as fast.

Plying his ostensible trade as a restorer of sexy European sports cars, freelance spy Riske is in California shepherding a classic Ferrari through an auction. The car sells for $102 million, a record, and everyone is happy. Well, not everyone. The restoration did not include a critical piece of original equipment, for the very good reason that the piece was lost. But suddenly the buyer, Sylvie Bettencourt, receives news that the piece does exist, and she demands Riske find it and complete the restoration. Of course it's not that easy. Riske and his team had already scoured the mechanical world for the piece, and though they resume the search, there are no new leads. As a sidebar to the search for the gearbox, Riske researched Bettencourt and learned she was a major player in the process of laundering the fortunes of Russian oligarchs. Then Bettencourt blackmails Riske into helping her steal back some money she claims her superior has taken, and Riske becomes a mole spying on Bettencourt. In a further plot development, Carl Bildt, a Danish banker who managed the accounts Bettencourt services, is murdered, and his daughter Anna undertakes to find the killers. With Riske unraveling the oligarchical knot from the Bettencourt end and Anna pursuing her father's killers, the extent of the laundering scheme is revealed. But these are Russian fortunes, and there is the obligatory presence of hulking violent enforcers, callous ultrarich misogynists, and even a teasing pirouette by Novichok, a nerve agent. Riske is a raffish rogue, ready to ride or preferably drive a Ferrari in whatever quixotic enterprise presents itself, but in this adventure he is somewhat subdued—still irresistible, still a seasoned street fighter, but somehow less visceral. Intricately plotted, the novel reaches a climax that is somewhat surprising yet disappointing, as if the magician had pulled a mouse from his hat.

Riske is still Riske, and the automotive world is still the better for it.

Pub Date: April 5, 2022

ISBN: 978-0-316-45609-8

Page Count: 352

Publisher: Mulholland Books/Little, Brown

Review Posted Online: Jan. 13, 2022

Kirkus Reviews Issue: Feb. 1, 2022

Next book

CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

Next book

YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Close Quickview