Uninventive and fairly exploitative, but still an engaging, enjoyable thriller.
During a routine mission, a troubled spy stumbles upon a cache of diaries—the lost accounts of a Jewish house servant brutalized by Adolf Hitler—in Driskell’s thriller.
Gage Hartline was once Matthew Schoenfeld, a military wunderkind hand-selected for the CIA’s special operations forces, until a clandestine mission goes horribly awry, ending in the deaths of two children. Blaming himself, Gage leaves the military behind, taking only assignments where he doesn’t need to invoke his license to kill. When a French intelligence agency offers him a simple job bugging a German customs office, Gage discovers a hidden collection of diaries penned by a Jewish housemaid named Greta Dreisbach while working in one of Adolf Hitler’s homes. Raped by the tyrant, Greta becomes pregnant and eventually escapes, although her journals stand as history-shaking proof that Hitler fathered a half-Jewish heir. Gage, accompanied by his young lover, Monika, sets out to find Hitler’s heir, but the incalculable value of the diaries soon catches the attention not just of his French employer, but also the vicious crime syndicate Les Glaives du Peuple. Driskell’s debut is a standard thriller, never wandering too far from the genre’s traditional conventions. Yet while it brings little new to the table, the book’s execution is highly competent and well paced, if occasionally repetitive as a means to keep its large cast up to speed. These characters are exaggerated, sensationalistic types—hard-nosed, honorable soldiers; sadistic criminal kingpins; beautiful but dangerously clueless women—that, while not entirely believable as people, are nonetheless recognizable and entertaining. Even more impressive is the novel’s pacing, which rarely lingers while giving each character the appropriate level of attention before their larger-than-life characteristics grow tiresome. Some of the novel’s more graphic scenes aren’t for the faint of heart, and even readers who might not consider themselves squeamish will still squirm at the vivid descriptions of torture and violence. Notably, the eponymous diaries don’t quite convey the pathos Gage experiences from them.
Uninventive and fairly exploitative, but still an engaging, enjoyable thriller.Pub Date: Jan. 31, 2012
ISBN: N/A
Page Count: 415
Publisher: Kurti Publishing
Review Posted Online: Feb. 23, 2012
Kirkus Reviews Issue: March 15, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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