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THE DIARIES

Uninventive and fairly exploitative, but still an engaging, enjoyable thriller.

During a routine mission, a troubled spy stumbles upon a cache of diaries—the lost accounts of a Jewish house servant brutalized by Adolf Hitler—in Driskell’s thriller.

Gage Hartline was once Matthew Schoenfeld, a military wunderkind hand-selected for the CIA’s special operations forces, until a clandestine mission goes horribly awry, ending in the deaths of two children. Blaming himself, Gage leaves the military behind, taking only assignments where he doesn’t need to invoke his license to kill. When a French intelligence agency offers him a simple job bugging a German customs office, Gage discovers a hidden collection of diaries penned by a Jewish housemaid named Greta Dreisbach while working in one of Adolf Hitler’s homes. Raped by the tyrant, Greta becomes pregnant and eventually escapes, although her journals stand as history-shaking proof that Hitler fathered a half-Jewish heir. Gage, accompanied by his young lover, Monika, sets out to find Hitler’s heir, but the incalculable value of the diaries soon catches the attention not just of his French employer, but also the vicious crime syndicate Les Glaives du Peuple. Driskell’s debut is a standard thriller, never wandering too far from the genre’s traditional conventions. Yet while it brings little new to the table, the book’s execution is highly competent and well paced, if occasionally repetitive as a means to keep its large cast up to speed. These characters are exaggerated, sensationalistic types—hard-nosed, honorable soldiers; sadistic criminal kingpins; beautiful but dangerously clueless women—that, while not entirely believable as people, are nonetheless recognizable and entertaining. Even more impressive is the novel’s pacing, which rarely lingers while giving each character the appropriate level of attention before their larger-than-life characteristics grow tiresome. Some of the novel’s more graphic scenes aren’t for the faint of heart, and even readers who might not consider themselves squeamish will still squirm at the vivid descriptions of torture and violence. Notably, the eponymous diaries don’t quite convey the pathos Gage experiences from them.

Uninventive and fairly exploitative, but still an engaging, enjoyable thriller.

Pub Date: Jan. 31, 2012

ISBN: N/A

Page Count: 415

Publisher: Kurti Publishing

Review Posted Online: Feb. 23, 2012

Kirkus Reviews Issue: March 15, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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