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STORM WATCH

One of the most successful of Box’s increasingly ambitious have-it-all thrillers.

The Wyoming winter brings maverick game warden Joe Pickett poachers, murderers, spies, and some ferocious bad weather.

Seeking a wounded elk and a marauding wolf during a brutal snowstorm, Joe is amazed to discover a human corpse sticking halfway out of a metal outbuilding on the Double Diamond ranch. While he’s conscientiously photographing the crime scene, somebody starts shooting at him. Ranch foreman Clay Hutmacher refuses to say anything about the building’s purpose until he checks with billionaire ranch owner Michael Thompson; Gov. Colter Allen abruptly orders Joe off the case; and departing Twelve Sleep County Sheriff Scott Tibbs, the boss who’d do anything to avoid having Joe make waves, reports that there’s no body at the place he described. Meanwhile, Joe’s old friend Nate Romanowski, an outlaw falconer, is approached by ex–Army Ranger Jason Demo, who’s trying to attract anti-government malcontents to join the secessionist Sovereign Nation, and Joe realizes that his predatory mother-in-law, Missy, is neglecting her fifth or sixth husband, attorney Marcus Hand, who’s dying of pancreatic cancer, to cozy up to Allen, who plans to launch his campaign for reelection at the public library headed by Joe’s wife, Marybeth. What does the death of University of Wyoming engineering professor Zhang Wei, if that’s really who the dead man was, have to do with all of this malfeasance? Like a patient spider, Box plays out plotline after plotline, balancing his sympathies adroitly between anti-establishment libertarians who’ve had enough of the coastal elites and officers sworn to serve and protect their communities, before knotting them all together with a climactic revelation that for better or worse will leave you gasping.

One of the most successful of Box’s increasingly ambitious have-it-all thrillers.

Pub Date: Feb. 28, 2023

ISBN: 9780593331309

Page Count: 368

Publisher: Putnam

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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