by Claire Tomalin ‧ RELEASE DATE: Oct. 31, 2011
Like Shakespeare, Charles Dickens (1812–1870) was an overachiever of genius, and his life was as eventful, dramatic and character-filled as any of his novels. This rich new biography brilliantly captures his world.
Acclaimed biographer Tomalin (Thomas Hardy: The Time-Torn Man, 2007, etc.) has always hunted big literary game (Hardy, Jane Austen, Samuel Pepys, etc.), and here she goes after one of the biggest and most complex. Dickens once told a visiting Dostoevsky that his heroes and villains came from the two people inside him: “one who feels as he ought to feel and one who feels the opposite.” However, there were many more dimensions to Dickens’ character. Besides being a tireless writer of long, complicated novels and hundreds of articles, an editor of a succession of magazines and a frustrated actor whose public readings became standing-room-only events, he was ebullient, charming, radical, instinctively sympathetic to the poor, generous to friends but unforgiving once you got on his bad side. At home, he was a domineering husband to his long-suffering wife and a distant father to his ten children. Dickens certainly would have appreciated Tomalin’s keen eye for scene, character and narrative pace. Ever the deft critic, she notes how the characters in Martin Chuzzlewit are “set up like toys programmed to run on course,” and that Hard Times “fails to take note of its own message that people must be amused.” Having written previously on Dickens’ disastrous late-life affair (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991), Tomalin also displays considerable detective work to bolster the possibility that Dickens and his other woman had a secret child who died in infancy. Superbly organized, comprehensive and engrossing from start to finish—a strong contender for biography of the year.
Pub Date: Oct. 31, 2011
ISBN: 978-1-59420-309-1
Page Count: 576
Publisher: Penguin Press
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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