by Clint Adams ‧ RELEASE DATE: June 1, 2015
After this fine historical novel, it’s easy to predict new fans for Adams.
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A fanciful, fictional memoir of the real-life Evangeline Smith Adams, the most famous astrologer of the early 20th century.
Anyone who can predict the future should be able to write her own obituary. Adams, the astrologer, known as the “seer of Wall Street” for advising clients like J.P. Morgan, reportedly predicted her Nov. 10, 1932, demise earlier the same year. Adams, the author (The Seventh Ritual, 2009, etc.), pushes that prediction backward three decades to establish the primary tension driving his story—professional ambition versus the ticking clock. (The author has no familial relationship to the astrologer or her ancestors, U.S. presidents John and John Quincy.) The fiction closely follows fact and includes reprints of newspaper stories. In 1899, the 31-year-old Evangeline, unconventional and career-minded, cancels a wedding engagement; moves from Boston to New York to launch her astrology business; predicts the Windsor Hotel fire; gains notoriety; and sets up shop at Carnegie Hall. She later beats fortunetelling arrests in court; maintains a long-running relationship with an actress, playwright, and suffragist; and marries her young business manager, who propels her career via radio, books, and speeches to the pinnacle of fame and fortune. Mirroring Evangeline’s affinity for gaudy antiques, Adams has a penchant for piling up modifiers: “Hands rested aimlessly upon the 19th-century mahogany teapoy table, faces stared into the Italian Gilt Wood Grapevine mirror blankly, and mindless chatter took place around the Baroque ‘Putto Face’ cast iron wall fountain.” Whether such constructions enhance the story’s verisimilitude or detract from it depends on personal taste; they occur often but neither make nor break the story. Style aside, the story itself is intriguing, the pace is lively, and the pages turn quickly. The author infuses his characters with consistent personality traits, believable motives, and outlooks that are changed by events over decades. Most importantly, he gives Evangeline a fitting central quest: reconciling her confidence in the infallibility of the stars with her own life choices.
After this fine historical novel, it’s easy to predict new fans for Adams.Pub Date: June 1, 2015
ISBN: 978-0-9768375-7-2
Page Count: 376
Publisher: Credo Italia
Review Posted Online: Sept. 25, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Elin Hilderbrand ‧ RELEASE DATE: June 16, 2015
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
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