by Colin Cotterill ‧ RELEASE DATE: Aug. 14, 2018
Cotterill’s long-running series, now on its 13th installment, runs on the chemistry of his quirky comic characters, who once...
A mysterious skeleton, a controversial film project, local government corruption…who else could solve this puzzle but curmudgeonly coroner Dr. Siri?
Fresh from his misadventures at the 1980 Summer Olympics in Moscow (The Rat Catchers Olympics, 2017, etc.), elderly instigator Dr. Siri Paiboun has an ambitious new project: an epic film based on Tolstoy’s War and Peace. He’s even managed to sneak a $15,000 camera back into repressive Laos. Chief Inspector Phosy of the Vientiane police thinks Siri has been smuggling in weapons but must proceed delicately, both because he’s only recently been promoted and because his wife, the acerbic and domineering Nurse Dtui, was Dr. Siri’s assistant during his tenure as the country’s coroner. Phosy instead confronts Siri’s pampered, high-maintenance wife, Madam Daeng, at her noodle shop. Dtui now works as a nursing instructor, but her experience and expertise are needed when a female skeleton is discovered at the base of the Anusawari Victory Arch, an event foreshadowed in the creepy opening chapter. Siri’s film project is sidelined while he assembles his “group of crime fighters” to unravel the mystery. Their probe takes them by turns to the airport, a nest of animal oppressors, and the chambers of a corrupt judge. Meantime, the film project crawls drolly along.
Cotterill’s long-running series, now on its 13th installment, runs on the chemistry of his quirky comic characters, who once again deliver delightfully. Tart chapter titles like “Enough Perverts to Keep Us All Busy” add another layer of ironic humor.Pub Date: Aug. 14, 2018
ISBN: 978-1-61695-940-1
Page Count: 304
Publisher: Soho Crime
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
Share your opinion of this book
More by Colin Cotterill
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
More by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Share your opinion of this book
More About This Book
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.