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LITTLE BUNNY FOO FOO

THE REAL STORY

Never have expectations been more thoroughly set up, and then gleefully confounded.

Ever a guilty pleasure anyway, the popular but violent preschool hand rhyme takes a gothic turn in this startling iteration.

Doerrfeld concocts an oh-so-sweet visual story line for the lyric, setting a snub-nosed, big-eyed bunny baker off in pursuit of a crew of cute little cupcake rustlers. At first Little Bunny delivers only gentle cuffs with her oven mitt as she recovers the cupcakes, and she shows remorse when the pink-haired, pink-cheeked Good Fairy descends to warn that she’ll be turned into a monster if she keeps it up. But as the mice, joined by several birds and squirrels, continue to snatch bites, Foo Foo’s mild annoyance intensifies to such outright rage that the climactic transformation definitely turns out to be a tactical mistake on the Good Fairy’s part. Bright, simply painted pictures set the chase on a pleasant sward with an open, woodsy backdrop populated by relentlessly adorable little creatures, none of whom appear to be more than momentarily discomforted by all that bopping.

Never have expectations been more thoroughly set up, and then gleefully confounded. (Picture book. 4-6)

Pub Date: Jan. 19, 2012

ISBN: 978-0-8037-3470-8

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 15, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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