Two children discover that Santa’s not just one person when a brightly decorated wagon crashes down in their neighborhood shortly before Christmas. Inside is Niklas Goodfellow, who explains to the astonished Ben and Charlotte that he’s the only Santa left who gives out elf-manufactured toys; all of his compatriots are either under the thumb of the plutocratic Gerold Geronimus Goblynch, who distributes only commercialized goods, or they’ve been transformed into chocolate. In illustrations that sometimes shoulder onto the next page, Howard depicts Niklas as a gent—so young that his work clothes include a false beard—who glows with kindness, and travels with three dozen surly, Keebler-like worker elves along with a pair of diminutive angels. His determination to stay in the neighborhood until Christmas leads to a final confrontation with the un-jolly Goblynch. Adding subplots in the form of a bully for Ben and loneliness for shy Charlotte, Funke engineers just deserts for Goblynch, then closes with a Christmas Day so filled with the proper spirit of wonder that even Ben’s irascible dad succumbs. The humor, plus some unusual character types, sets this apart from the general run of holiday tales. (Fantasy. 10-12)
Pub Date: Oct. 1, 2006
ISBN: 0-439-78204-X
Page Count: 176
Publisher: Chicken House/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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