Next book

MY HAIR IS A GARDEN

How needed, how refreshing to see a black girl learn to appreciate herself—lovely and informative.

A little girl learns to love and care for her hair.

Mack, young and black, does not love her hair. As a result of teasing, she tries to hide it. But Mack does love her neighbor Miss Tillie. Miss Tillie’s house has been a safe space since Mack was a toddler. So, naturally, Mack seeks refuge in Miss Tillie after being bullied by a classmate who states as fact that “Mack’s hair is always a mess.” West Indian Miss Tillie gives Mack a glass of sorrel and listens as Mack tells her about the long-term mockery she’s endured about her hair. Though dark-skinned Mack’s mother also appears to be black, she doesn’t know how to care for her daughter’s hair, and Mack asks Miss Tillie for help. Miss Tillie teaches Mack that her hair is like a garden: “And like every good garden, it must be cared for, every day.” The folk art–style illustrations lend this story an anytime, anyplace quality that leaves readers free to focus on the content. Although the text placement and type may occasionally distract, the illustrations evoke emotion, and endpapers showing different hairstyles on black girls of varying hues are especially well-done.

How needed, how refreshing to see a black girl learn to appreciate herself—lovely and informative. (caring for black hair, recipes) (Picture book. 5-9)

Pub Date: April 3, 2018

ISBN: 978-0-8075-0923-4

Page Count: 37

Publisher: Whitman

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

Next book

LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Next book

CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

Close Quickview