Here’s a Holstein who makes a fetching subject for Lundquist’s camera, though this easy-reading portrait of a dairy farm’s “four-footed factory” leaves the boundary between fact and invention a little vague. Never explaining why Clarabelle has a name when her 1,200 herdmates evidently don’t, the author joins her as she gives birth (offstage), then disappears while her calf—seen in an obviously posed shot—is fed “first milk” from a bottle by two farm lads. Off she trundles to the milking center, and afterward back to the manger, where she stands on bedding made from her own processed dung and feeds on a mix of silage that may be “tossed like a garden salad,” but certainly doesn’t look like one. Along with tallying the many products made from Clarabelle’s milk and manure (methane from the latter even powers an electrical generator) and explaining with tantalizing brevity how a few of them are made, Peterson introduces some members of the farm’s owning family. Younger readers may get a clearer picture of how a dairy farm works from Gail Gibbons’s The Milk Makers (1985) or Aliki’s Milk from Cow to Carton (1992), but this provides a more personal view of the enterprise. (Nonfiction. 7-9)
Pub Date: Oct. 1, 2007
ISBN: 978-1-59078-310-8
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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