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Teenaged years served up without sugar: a class act.

A witty, involving boarding-school drama from Seventeen magazine award-winner Sittenfeld.

Seduced by media depictions of glamorous boarding-school life, South Bend teenager Lee Fiora uses her straight-A average as a ticket out of her LCM (lower middle class, in prep-school speak) home, winning a scholarship to tony Ault. But once there, she’s immediately the dorkey outcast, relegated to the company of the ethnics and the weirdoes. The rest could have been a standard nerd narrative, as Lee pursues the unattainably cool and gorgeous Cross Sugerman and finds an unexpected niche cutting hair for the popular kids. But Sittenfeld is too serious to let the story lapse into cliché. Instead of triumphing, her underdog is gradually corrupted by her frustrated social climbing. Lee’s grades flag while she obsesses about being liked; Cross does finally come to her bed, but keeps it a shameful secret, using her only as an easy sexual outlet. While resenting the popular kids, Lee is too vain to court them, preferring to lurk resentfully in her room. When her loving but lowbrow family comes to visit, she tries only to hide them, sacrificing her parents for an elusive popularity. By the end, Lee’s father has turned his back on her, remarking, “Sorry I couldn’t buy you a big house with a palm tree, Lee. Sorry you got such a raw deal for a family.” Her one close friend and roommate, Martha, serves as a foil. Beginning as an outsider like Lee, Martha finally becomes the senior prefect, generally liked for her straightforward kindness. As for Lee, we never lose sympathy for her, even when it becomes clear that it’s not her classmates’ snobbery but her own that isolates her. The boarding-school formula allows newcomer Sittenfeld the comforting slippers-and-ice-cream haven of chick-lit while allowing much more in the way of psychological insight.

Teenaged years served up without sugar: a class act.

Pub Date: Jan. 18, 2005

ISBN: 1-4000-6231-4

Page Count: 416

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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