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AGE OF ASH

A promising, if meandering, start; given the experienced hands we’re in, it will undoubtedly pay off by series’ end.

In the first of a trilogy, a city faces a secret crisis of rulership.

The city of Kithamar’s new prince, Byrn a Sal, has died within a year of his coronation. Why and how did he die? The answer involves an ambitious thief seeking revenge for her brother’s murder, the fellow thief who secretly loves her but despises the path she's on, a foreign priestess searching for her missing son, a noblewoman who serves at the head of a religious cult, and the dangerous, centuries-old secret behind the royal succession. Abraham is best known for being one-half of James S.A. Corey, the writing team responsible for The Expanse, the bestselling space opera book series and the source for the fan-favorite TV show. It's a shame that Abraham doesn't gain equal attention for his excellent, delicately barbed political fantasy series, such as The Long Price Quartet and The Dagger and the Coin. This new work bears the hallmarks of a great Abraham work: intricate and dirty schemes enacted by initially sympathetic characters who make self-serving choices that they will eventually come to regret, but often too late to change course. It takes a long while for the broader outlines of the plot to take shape because of the narrow perspective of each of the characters. The fate of a great city is at stake, but the lower-class characters are mostly concerned with getting enough to eat each day and pursuing personal agendas if there’s any time left over. Most of the upper-class ones and their servants are occupied with preserving a magical and social status quo to the exclusion of anything else. The middle class—well, we barely hear from them, so who knows? The secret truth that Prince Byrn a Sal was not the legitimate heir to the throne drives the plot, but we never even find out whether or not he was a good ruler; that doesn’t seem to matter to all parties concerned. The blank spots in the reader’s understanding can feel frustrating at first but ultimately make the society seem real.

A promising, if meandering, start; given the experienced hands we’re in, it will undoubtedly pay off by series’ end.

Pub Date: Feb. 15, 2022

ISBN: 978-0-316-42184-3

Page Count: 560

Publisher: Orbit

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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