Agreeable, predictable and forgettable.
Half-sisters reconnect with each other, and with Mr. Rights from their pasts, during the summer of 2008.
Their Aunt Lydia, sister to the father who left Peck’s mother for Cassie’s, has bequeathed her rickety shack in Southampton to the two young women. “The situation,” Peck declares with her usual drama, “is that you and I can’t agree on anything.” Cassie wants to sell Fool’s House and head back to Switzerland, where she works desultorily as a journalist. Peck, a would-be actress living in New York, wants to hang onto the house as an accoutrement to the ultra-fabulous lifestyle she aspires to. She also wants to accept an invitation from Miles Noble, who broke her heart seven years ago, the summer she obsessively read and reread The Great Gatsby and pressed it on 21-year-old Cassie, who’d never read it. Surely it means something that the now fabulously wealthy Miles is throwing “a GATSBY party” and has invited them? Cassie, more sober than her flamboyant semi-sibling, doubts it but agrees to go in hopes of finding architect Finn Killian, who might know the combination to Aunt Lydia’s locked safe. The guy she remembers as a distant older man turns out to be a sexy charmer, though Cassie is convinced against all evidence that he’s “just being polite” as he pursues her throughout the summer. Peck, meanwhile, is dismayed by the vulgarity of Miles’ ostentatious mansion, but comes to appreciate his sterling qualities as the season winds down with hints of the economic meltdown to come. There’s absolutely no suspense about narrator Cassie ending up with perfect Finn, though she’s amazingly obtuse about his interest, and Peck is made up of attitudes and tics rather than actual personality traits. Still, Ganek (Lula Meets God and Doubts Him, 2007) provides enough zippy one-liners, moderately vivid party scenes and adequately attractive descriptions of clothes to sustain a paper-thin plot involving a missing painting and an unwanted houseguest.
Agreeable, predictable and forgettable.Pub Date: May 31, 2010
ISBN: 978-0-670-02178-9
Page Count: 304
Publisher: Viking
Review Posted Online: March 11, 2011
Kirkus Reviews Issue: April 15, 2010
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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