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HUNGRY

WHAT EIGHTY RAVENOUS GUYS TAUGHT ME ABOUT LIFE, LOVE AND THE POWER OF GOOD FOOD

A heartening memoir of good food and tough love with a few down-home recipes thrown in.

A memoir of an untrained chef with an English degree who set out to temper bad behavior by serving good food and to change junk-food die-hards into foodies.

When Barnes took a job as a cook for the Alpha Sigma Phi house on the University of Washington campus, she knew “that ‘frat boy’ was shorthand for ‘arrogant, drunk, and disorderly,’ ” but she didn’t know that house chefs were generally glorified warmers of precooked meals. Her new job came with major challenges. The kitchen—with its “archaic gas range,” freezer held together with duct tape and a rat in the pantry—was a nightmare, requiring critter control and rigorous scrubbing and disinfecting. Though frat-house jobs were on the bottom rung of the chef hierarchy, for Barnes, a job in which customers respected her was a dream compared with her stint as a chef for a demanding family or at a cafe, where the health violations were frequently flagrant. At least in the Alpha Sig kitchen, she called the shots—often laced with expletives. When the rowdy, grungy frat-house atmosphere, the guys ignoring her kitchen rules and the uncooperative vendors got to her, she vented. Thankfully, her humor, honesty and a steadfast vision save the book from becoming one long rant. Resistant at first, the guys grew to love her food. Eventually, she gained the respect and friendship of the vendors, and the reputation of her table grew. Sorority girls often raided her pantry for leftovers and left fan notes. The book is as much about nourishment as it is food. Barnes’ affection for the fraternity brothers carries the narrative. It wasn’t all about consuming, it was about connecting,” she writes.

A heartening memoir of good food and tough love with a few down-home recipes thrown in.

Pub Date: Aug. 6, 2013

ISBN: 978-1-4013-2477-3

Page Count: 272

Publisher: Hyperion

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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