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W.E.B. DU BOIS

Name: W.E.B. DU BOIS
Author: David Levering Lewis
ISBN: 0-8050-2621-5

BIOGRAPHY OF A RACE: VOL. I, 1868-1919

by David Levering Lewis ‧ RELEASE DATE: Oct. 29, 1993

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William Edward Burghardt Du Bois (1868-1963) has finally found a Boswell worthy of his achievements as an African-American reformer who fought for human rights in the US and the wider world. In the first part of a projected two-volume biography, Rutgers history professor Lewis (The Race to Fashoda, 1988, etc.) offers a detailed chronicle that puts the eventful origins of a towering figure clearly in the perspective of his troubled times. Born in western Massachusetts less than three years after the abolition of slavery, Du Bois managed to earn a doctorate in history from Harvard. After graduating, he pursued one of the few careers open to educated blacks, that of teaching—at Atlanta University and other institutions. Meanwhile, he published pioneering sociological studies (The Philadelphia Negro, etc.), arranged symposiums, and helped found the Niagara Movement—an all- black group that in 1909 joined forces with liberal whites to form the NAACP. Du Bois left academe to become the NAACP's director of research and publicity as well as editor of its influential magazine, The Crisis. From this bully pulpit, he battled for racial justice; conducted intellectual inquiries (among other matters, on the talented-tenth theory); critiqued the views of rivals like Booker T. Washington (``the great accommodator''); and otherwise played to the hilt the role of outside agitator (he was active in the Pan-African cause as well). Here, he's last seen after a post- WW I congress that called for direct League of Nations supervision of German colonies in Africa, as he himself returns to a society that brutally and methodically excluded ``his people from meaningful citizenship....'' A masterly appreciation of a great man's intellectual development and singular service in a righteous crusade. (Thirty- two pages of photographs—not seen)

Pub Date: Oct. 29, 1993

ISBN: 0-8050-2621-5

Page Count: 700

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE IMPROBABLE WENDELL WILLKIE
by David Levering Lewis

- BOOK REVIEW
GOD’S CRUCIBLE
by David Levering Lewis

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.