It’s big. It’s gay. It’s outrageous and hilarious
Finally, Tiny Cooper gets his own story: the musical.
Semifresh (four years later) off the heels of his uber-gay and hilarious collaboration with John Green, Will Grayson Will Grayson (2010), Levithan bites the bullet and pens the actual musical script that his 16-year-old large-and-in-charge gay hero created as a centerpiece for the original novel. Tiny’s coming-of-age musical includes his loving parents, his BFF Phil Wrayson (a cautiously disguised straight Will Grayson), a lesbian babysitter named Lynda, the ghost of Oscar Wilde and 18 ex-boyfriends—including the second Will Grayson. There are Barbra Streisand and Idina Menzel references. There are potentially naughty locker-room tableaux. There are debunked stereotypes in the form of song (“OH! What a Big Gay Baby”). There are multiple moments in the spotlight, including solos and addresses to the audience, where Tiny will have readers falling out of their chairs laughing. It’s probably wrong to call this a novel since it’s written as a script complete with acts, dialogue, musical verse and staging instructions, but whatever it is, it’s just as downright ridiculous as its precursor. Shy readers should be warned: Don’t read this in a public place unless you’re very comfortable chortling out loud.
It’s big. It’s gay. It’s outrageous and hilarious . (Fiction. 12-18)Pub Date: March 17, 2015
ISBN: 978-0-525-42884-8
Page Count: 208
Publisher: Dutton
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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