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EXECUTIVE JUNGLE

Levy’s fifth (Potomac Jungle, not reviewed) takes on Madison Avenue and the advertising game much as its template—Frederick Wakeman’s The Hucksters—did 50 years ago. In this thoroughly detailed business novel (much stronger than Wakeman’s light but sparky effort), with its old-timey pace, nobody worries about integrity—all are too busy keeping their heads out of the shark’s mouth—or the lion’s maw. The ten segments here are linked by the career of bright and aggressive Steve Lane, who moves from a Philadelphia ad agency to Madison Avenue’s Otis & Meade at nearly twice his former pay. O&M, it turns out, is in the throes of a top-level turnover: Meade’s no longer there, and Otis is 64, apparently ready to retire, dump his wife, and go off with his 40-year-old secretary to a peaceful old age. Under Otis are the company’s three top managers, one of whom must be his replacement. These three have formed a cabal to oust Otis through a stockholders’ vote and take over the company themselves, but Otis beats them to the punch, appointing one of the trio’s younger execs to his presidency while he becomes chairman. The second of the three’something of a hothead—then quits, and Otis has the president-to-be fire the third, after which he cans the new president (albeit with a velvet glove). At the other end of the frame, over 15 years later in “Five O’Clock Deadline,” Steve Lane (now top exec) is fighting for his life against a takeover by television personality Curly Ames, whom Steve himself brought into the fold from an Atlanta radio station and whose unpredictable personality has baited him to the number one ratings slot—and turned him into a rapacious shark. Levy, a vastly accomplished entertainment executive who started with the Young & Rubicam ad agency in 1938 and also wrote many famous radio shows, knows whereof he writes and how some stabs can never be stanched. Bloody well done.

Pub Date: Nov. 1, 1998

ISBN: 1-57392-245-5

Page Count: 300

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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