Levy’s fifth (Potomac Jungle, not reviewed) takes on Madison Avenue and the advertising game much as its template—Frederick Wakeman’s The Hucksters—did 50 years ago. In this thoroughly detailed business novel (much stronger than Wakeman’s light but sparky effort), with its old-timey pace, nobody worries about integrity—all are too busy keeping their heads out of the shark’s mouth—or the lion’s maw. The ten segments here are linked by the career of bright and aggressive Steve Lane, who moves from a Philadelphia ad agency to Madison Avenue’s Otis & Meade at nearly twice his former pay. O&M, it turns out, is in the throes of a top-level turnover: Meade’s no longer there, and Otis is 64, apparently ready to retire, dump his wife, and go off with his 40-year-old secretary to a peaceful old age. Under Otis are the company’s three top managers, one of whom must be his replacement. These three have formed a cabal to oust Otis through a stockholders’ vote and take over the company themselves, but Otis beats them to the punch, appointing one of the trio’s younger execs to his presidency while he becomes chairman. The second of the three’something of a hothead—then quits, and Otis has the president-to-be fire the third, after which he cans the new president (albeit with a velvet glove). At the other end of the frame, over 15 years later in “Five O’Clock Deadline,” Steve Lane (now top exec) is fighting for his life against a takeover by television personality Curly Ames, whom Steve himself brought into the fold from an Atlanta radio station and whose unpredictable personality has baited him to the number one ratings slot—and turned him into a rapacious shark. Levy, a vastly accomplished entertainment executive who started with the Young & Rubicam ad agency in 1938 and also wrote many famous radio shows, knows whereof he writes and how some stabs can never be stanched. Bloody well done.
Pub Date: Nov. 1, 1998
ISBN: 1-57392-245-5
Page Count: 300
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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