Fabulous (as in fablelike), this will tug relentlessly on the mind and heart of any child ready to read it. (Fable. 8-12)
Children are ready for philosophy at a very young age: “What is real?” asked the Velveteen Rabbit, after all.
This beautiful and mysterious volume is not quite a graphic novel, although its black, white and gray pictures fill the pages and hint of Edward Gorey. There are an epigraph and a coda, which are also mysterious, asserting that “Truth and Lies are one.” A marble figure of a little girl, barefoot, looking up from the open book in her lap, sits on a plinth carved with her name, Faith. But one day she speaks, and the carpet—a tiger skin—answers her. She wants to move, to stretch, to finish her book, but the Carpet tells her that she is a statue, a work of art. He tells Faith that she might be under a magic spell; he tells her the shocking story of how he became a rug and how His Grace used to come to this room and read to the statue. He spins many tales, and then he says that everything he speaks is a lie. His Grace dies, and Faith jumps down from her plinth, flying off in the night on her tiger carpet. The house is filled with another family, and the youngest child finds the shut stone book, which one day opens in her hands. Stories—truth and lies—spin around each other, thick as the ornamentation that fills every page.
Fabulous (as in fablelike), this will tug relentlessly on the mind and heart of any child ready to read it. (Fable. 8-12)Pub Date: June 1, 2011
ISBN: 978-1-84270-441-7
Page Count: 78
Publisher: Andersen/Trafalgar
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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