This inelegant argument won’t change many minds among critics or the public.
A valiant but unsatisfying effort to reappraise a band loved by the masses and loathed by critics.
The Bee Gees, Manchester-born brothers Barry, Robin and Maurice Gibb, had been performing around Australia for nearly a decade before bursting onto the British scene in 1967 with the Beatles-esque lament “New York Mining Disaster 1941.” Within a year, they rivaled their idols for top spots on charts around the world. Addictions and sibling rivalry between eldest (and arguably most talented) brother Barry and the more volatile Robin caused the band to implode within three years. After reconciling, the Gibbs scored a couple more hits (including “How Do You Mend a Broken Heart?”) in the early 1970s before sinking briefly back into obscurity, only to resurface in a big way with a wholly new sound rooted in the subversive beats of disco with “You Should Be Dancing” (1975). With their association with the monster hit Saturday Night Fever, the Bee Gees never had to look back—at least as far as the public was concerned. Critics, however, have always considered them imitators and also-rans. Meyer (Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music, 2007, etc.) convincingly argues that the band innovated (e.g., by inventing the drum loop on their huge hit “Stayin’ Alive”) as much as they imitated. Oddly, his narrative stalls when the Bee Gees are on its stage, mainly since he quotes decades-old interviews by other journalists. The book comes alive when tracing the history of disco that led to the making of SNF and telling the tragic tale of the youngest Gibb, Andy, whose growing up in public foreshadowed the reality TV culture of today. Otherwise, the history drags and repeats itself. The Gibbs quotes and connecting narrative could have used a tighter edit.
This inelegant argument won’t change many minds among critics or the public.Pub Date: July 9, 2013
ISBN: 978-0-306-82025-0
Page Count: 352
Publisher: Da Capo
Review Posted Online: May 18, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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