by David Nevin ‧ RELEASE DATE: Nov. 1, 2001
Nevin loves his political details—perhaps a bit more than most readers will—but this is vivid storytelling about a time as...
Another lively look back at the newborn US by a historical novelist who respects both his disciplines.
Thomas Jefferson called it the Second Revolution—that period during which the new nation fought desperately to remain a democracy. The year is 1800; Jefferson has just thwarted John Adams’s bid for a second term in an election notable for its ideological bitterness. The two-party system grew out of it; class warfare took a great leap forward because of it. The Republicans, led by Jefferson and James Madison, passionate about the idea of government by ordinary people, find themselves in a death struggle with their former brothers in arms—the war against England had, after all, ended only 17 years earlier. Say “ordinary people” to the Federalists, led by Hamilton and Adams, and you evoke that fearsome French rabble making profligate use of the guillotine at the expense of extraordinary people not unlike the Federalists. As in the earlier novels of this series (Eagle’s Cry, 2000, etc.), Nevin’s characters are a judicious mix of the fictitious and the real, but none are more appealing than delicious, unabashedly ambitious Dolley Madison. She wants Jimmy Madison, her overworked, under-valued husband, to succeed Jefferson and doesn’t much care who knows it. But Burr, the incumbent vice-president, matches her in ambition, outstrips her—and virtually everyone else—in ruthlessness, and wants the presidency for himself, convinced it’s the greatness for which he was born. If stout-hearted Dolley is the heroine, Burr is the villain, but an endlessly complex one. Though fatally flawed, he’s charming, elegant, charismatic, basically good-hearted, a fearless risk-taker whose behavior is frequently admirable but who willfully, single-handedly almost destroys his country.
Nevin loves his political details—perhaps a bit more than most readers will—but this is vivid storytelling about a time as turbulent as it is generally neglected.Pub Date: Nov. 1, 2001
ISBN: 0-312-85512-5
Page Count: 464
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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by David Nevin
BOOK REVIEW
by David Nevin
BOOK REVIEW
by David Nevin
by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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