By turns entertaining, poignant, and heady, a thoroughly enjoyable thrill ride powered by jolts of philosophy.
Through contact with interdimensional beings, a former Black Power activist releases a “thought-virus” that turns dogs wild and people into jackal-headed creatures resembling the ancient Egyptian god Anubis.
Edwards’ (The Dreams of Devils, 2012, etc.) second installment of the Nightscape series is a thinking man’s horror tale replete with associative memories, literary allusion, intellectual discourse, and references to Hegel, Plato, Malcolm X, Amiri Baraka, Sartre, and Athanasius Kircher, to name a few. Unlike some run-of-the-mill zombie apocalypses, this well-written, multilayered tale has depth and complexity; when people transform into monsters, it feels more like Ionesco’s Rhinoceros than Night of the Living Dead. The narrative begins by introducing various groups of characters, from cops to gangsters, dogcatchers to street people, all crafted into empathetic personalities, each ultimately facing the catastrophe. Sick and dying, Gaston, aka “Mister,” spends much of his time in a dream state in which he claims to communicate with telepathic aliens from the Sirius star system. Though even Mister doubts his own sanity, he hopes to trick the aliens and use their powers for some kind of race revolution, a plan he discusses with Khonsu, a street person who dispenses cerebral books to various inhabitants of the inner city. Meanwhile, as Detroit descends into a seething hellscape à la Hieronymus Bosch and the military begins shooting everyone on sight via drones, a supersecret black ops team with extensive knowledge of alien and interdimensional goings-on is working to remedy the situation while other cognoscenti attempt to foil them. Ultimately, from all this confusion and mayhem, an unlikely hero emerges. Edwards is a master of character building, and as random people morph into beasts, those left behind tend to ponder their inner landscapes as much as their outrageous circumstances. The intriguing, sometimes-confusing highbrow discourse adds a shade of believability to the pseudo-scientific psychobabble used to explain the unfolding chaos.
By turns entertaining, poignant, and heady, a thoroughly enjoyable thrill ride powered by jolts of philosophy.Pub Date: Oct. 20, 2015
ISBN: 978-0-9897487-3-5
Page Count: 358
Publisher: Imperiad Entertainment
Review Posted Online: Oct. 8, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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