British history and contemporary conspiracy collide in this satisfying novel.
A debut romantic mystery that spans centuries, with a modern love story at its center.
Nicholas Carey, the 18th Duke of Burnham, has been wining and dining the loveliest stars in the Hollywood firmament since his beloved wife, Deborah, died almost 10 years ago at the Abbey, their English country estate. But Nicholas’ life isn’t all glitz and glamour: His grief, and his conviction that Deborah’s close friend, Princess Diana, was murdered, has left him with a heavy emotional burden. In addition, his 15-year-old ward, Lucy, who’s deep into drugs, alcohol and teen angst, has been sent away from her boarding school. Then Taylor Collins, one of the most highly accomplished young lawyers in her American firm, arrives to mediate the sale of the Abbey. She doesn’t fall immediately for the duke, as most women do, but maintains a chilly distance, as she’s nursing her own heartbreak and grieving the loss of a treasured friend. But when Taylor stays with Nicholas at the Abbey to look over ancient land documents, she finds, to her surprise, that she not only feels compassion for the pain Nicholas has experienced, but also a growing attraction to him. Taylor’s discovery of Nicholas’ 16th-century ancestor’s personal diary reveals a tumultuous love affair and a murder accusation. How exactly did Deborah die, and has Nicholas been telling the truth about Lucy’s parentage? Furthermore, Nicholas believes that the princess of Wales left behind an audiotape naming those who wanted her dead—and that Mari, Taylor’s late friend, had the tape among her possessions. Was Mari, thought to be a victim of a botched burglary, actually murdered? Hawkins delivers an efficient, suspenseful tale that weaves together the past and the present. The prose is lively, if not poetic, and its atmospheric descriptions of the Abbey not only bring to life the contemporary love story between Nicholas and Taylor, but also add richness to the ancient tale that Taylor uncovers. It’s a great book for a long journey, as it’s both easy to read and intellectually gratifying. Although the ending is rather abrupt and somewhat heavy on the explication, its emotional payoff is well worth it.
British history and contemporary conspiracy collide in this satisfying novel.Pub Date: March 30, 2013
ISBN: N/A
Page Count: -
Publisher: CreateSpace
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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