The premise is weak, but the silly pictures make this an enjoyable read-aloud nevertheless.
A small frog boldly proclaims its reluctance to become big; an adult frog and a pig help it reconsider its views.
As in Petty and Boldt’s earlier collaboration, I Don’t Want to Be a Frog (2015), the expressions on the frogs’ faces are perfect: belligerence from the little frog and weary cynicism from the adult, who is probably the younger frog’s parent. The art also lends excellent credibility to the little frog’s concerns about being unable to fit in the book and terrible at hide-and-seek; only partial views are given of the comical elephant referenced by the child-frog. The text in which the frogs discuss the pros and cons of being big—shown in dialogue bubbles—seems a bit flat, however, probably because most young children want to be bigger. Young children also generally want independence, so the little frog’s assertion that “I have big friends” to reach some cupcakes when it can’t again seems lame. There is plenty of humor, much of it stemming from the art, as when the little frog decides it might not want to meet the tree frogs and the double-page spread suddenly fills, startlingly, with a close-up view of red-eyed tree frogs staring out at readers. The endpapers are also funny, showing an elephant’s trunk using a pencil to mark the little frog’s growing height. The little frog’s final proclamation may lead to a sequel with a complaint more expected from young ones.
The premise is weak, but the silly pictures make this an enjoyable read-aloud nevertheless. (Picture book. 3-6)Pub Date: Oct. 11, 2016
ISBN: 978-1-101-93920-8
Page Count: 32
Publisher: Doubleday
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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