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THE CUP AND THE CROWN

Richly imagined and elegantly conveyed, this is a worthy successor to Molly’s star-studded debut.

The further adventures of Molly, the kitchen maid who saved a king (The Silver Bowl, 2011), provide an explanation for her magical abilities and suggest that the future holds even more changes and challenges.

Brief mention of earlier events will remind returning readers of how Molly, along with her friend Tobias, saved the life of King Alaric and helped him to claim his throne. Readers unfamiliar with Stanley’s earlier foray into the kingdom of Westria may feel a bit lost as Molly is charged with finding a special cup for King Alaric, and the action picks up quickly. However characters new and old are effectively drawn, and the plot moves smoothly, ensuring that both sets of readers will follow the ensuing journey with enthusiasm and interest. Mysterious visions, a secret city, a family reunion of sorts and kidnapping all figure into the tale, as do a clever rat catcher and a magical protector. Stanley’s storytelling is polished, her imaginary world clearly constructed. She doesn’t shy away from serious subjects, but her light touch enables readers to ponder them as part of the whole rather than as overt messages about life, love and politics. Savvy readers will suspect (or hope) that Molly’s story will continue, but this section of her saga comes to a satisfying end.

Richly imagined and elegantly conveyed, this is a worthy successor to Molly’s star-studded debut. (Fantasy. 10-14)

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-196321-6

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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