“Boyne?!” exclaims a brogue-burred Kevin Flynn in Wimmer’s sequel to Irish Wine (1988), “Holy Mother of God, is there no killin’ ya off?” Sean Boyne, a brawling, drunken Irish painter who hung out with Jackson Pollock and Mark Rothko at the Cedar Tavern, and stumbled antiheroically through Wimmer’s previous shaggy- dog story, is now so famous as Ireland’s dubious “heir to Picasso” that he’s faked his own death—just to get away from all that adulation—on the eve of his Time magazine cover story. Currently masquerading as a monk, he enjoys free stouts in his favorite pubs and happens to drop in on his funeral, where he spies Tory, his slender, fabulously beautiful daughter by his first wife, Laura. For Tory, who had been miffed that her mom wouldn’t leave Baltimore and her new “Republican fund-raiser” husband to attend the wake, this strange, manic, bearded monk on a motorcycle seems just one more colorful scallywag of the type attracted to her father—until he blurts out the truth. Before a teary, whiskey-soaked reunion can take place, Tory is kidnaped by a mystery man in a yellow jacket who knows Boyne is alive. Boyne panics and calls Laura. Laura gets mad and flies to Ireland. Dublin’s gossip-network informs Boyne that Tory is being held captive at a nursing home, where she’s being forced to eat cabbage and listen to Beatles tunes. Boyne, when he’s not wallowing in erotic reveries about his dead wife Ciara (blown up by an IRA bomb meant for Mountbatten) and trusty dog Poldy, sets off to rescue Tory and make a mess of things. Laura finds him, vanquishes the inept kidnapper, and there are tears and hugs aplenty at a press conference featuring the resurrected Boyne. Short, silly, and sentimental: Wimmer’s cartoon happily indulges stereotypes about drunken Irishmen and New York School painters.
Pub Date: June 1, 1998
ISBN: 0-944072-88-7
Page Count: 176
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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