by Donald Hall & illustrated by Barry Moser ‧ RELEASE DATE: March 1, 1996
The national pastime gets a bit of much-needed luster from the poet's touch. Young Willard Babson makes the acquaintance of Babe Ruth one day when he and his father pull the young, just-married pitcher's auto out of a New Hampshire ditch. From there, Hall (Lucy's Summer, 1995, etc.) builds a beautiful story about the twining of two lives over 20 years: one a farm boy, rapt in the pleasures of baseball and mesmerized by Ruth's style; the other, ``the best who ever played the game of baseball.'' Hanging over every event is the penumbral melancholy of those years, from the end of the First World War through the middle of the Great Depression—when baseball helped anchor a storm-tossed population. That feeling is enhanced by Moser's nostalgic watercolors, each an achingly sentimental tableau. Hall salts the tale with fine historical tidbits—from the mention of ``Fibber McGee and Molly'' to Al Smith's run for office- -as he moves the story to its emotional climax when Willard's daughter, a baseball fan named Ruth, meets her hero. A heartfelt piece of Americana from two old pros. (Fiction. 7+)
Pub Date: March 1, 1996
ISBN: 0-15-200273-1
Page Count: 42
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
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by Donald Hall & illustrated by Greg Shed
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: Sept. 1, 1996
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating...
Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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by Andrew Clements & illustrated by Mark Elliott
by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Neil Gaiman ; illustrated by Various
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by Neil Gaiman ; illustrated by Chris Riddell
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by Neil Gaiman ; illustrated by Divya Srinivasan
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