A Mississippi belle totes all sorts of trendy baggageand a few southern gothic staplesin a first novel based on a real-life governor's daughter who tried to be different in a less-than- hospitable milieu and time. The purchase of a desk that belonged to a former Mississippi governor, Stephen Dunbar, and the discovery by a local antique dealer of a cache of Dunbar papers provide the opening frame for the story of Lizzie Dunbara story that begins in 1902, when Lizzie is born and father Stephen takes her dead, deformed twin brother and throws him into a pond. Neither Lizzie nor her mother will never even know that the child existed, but Genesis, the obligatory trusty black Mammy, does, and she will always hold Stephen responsible for what later happens. A chorus of voices, including Lizzie's own, carry the story on from 1902 to tell how this ``belle in her day, though wilder than most,'' came to spend the last 20 plus years of her life in the local asylum. Horrified by his son's deformity, Stephen avoids his gentle wife, who gradually fades away while he begins his political ascent. In 1916, he's elected governor, and Lizzie is sent off to Virginia to be educated as a lady. But Lizzie, whoin Stephen's opinionhas a boy's ``mind and spirit,'' soon gets into scrapes. She runs away to New York, where she meets Emma Goldman and Dorothy Day; gets seduced by a mysterious communist who infects her with syphilis; and then, ailing, returns home in 1919 to start a feminist newspaper and make further waves by hiring a black secretary. When the Dunbar money runs out during the Depression, Lizzie starts on the long decline that leads to her breakdown, her summary committal by Stephen, and her death in 1968. Poor Lizzie has to do, and stand for, so much that her collapse is an inevitable if melodramatic and predictable clichÇ. A lite read with lit pretensions.
Pub Date: Sept. 1, 1995
ISBN: 1-56352-227-6
Page Count: 352
Publisher: Longstreet
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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