Sweet, affectionate, and bloody: a glance backward to a well-spent youth.
Coming-of-age first novel of a crucial two weeks in the summer of 1950, when Vinny Vesta, teenage street punk from Manhattan’s Hell’s Kitchen, finds the buddy—and the girl—of his dreams as he becomes a pawn in a crime family war.
One August night, Vinny is sleeping on the fire escape of his parents’ tenement and looks across the alley to see a youth reading a book by a flashlight. It’s Sidney Butcher, an Orthodox Jew whose health keeps him from attending school. The two improbably hit it off: Sidney recommends Machiavelli and The Great Gatsby, while Vinny protects Sidney from bullying punks. Not long after, Vinny’s father, a lieutenant in the Mangano family, gives his son tickets to see Tony Bennett at the Copacabana. Backstage, Vinny literally bumps into Terry Dvorak, one of the hatcheck girls, who drops her cigarette lighter. In a fit of Brando-esque bravado, Vinny finds it, gets her address from the club manager, knocks on her door and spends the next hour in bed. The sex is good—until Vinny quickly learns he’ll never be Terry’s one and only. Alas, Vinny could have let rest of the summer wind down, but he and his gang have to steal some sable pelts. They don’t snag enough, and Luciano family lieutenant Gee-Gee Patrone orders Vinny to raid a warehouse controlled by a rival lieutenant. Unbeknownst to Vinny, the raid will start a complicated mob war as the Vito Genovese will try control of Luciano family. Influenced more by Billy Bathgate than by The Godfather, author Vincent, a vice chairman and executive producer for Aaron Spelling, mixes real and fictional characters, lingering nostalgically over the chinos, T-shirts, Sabrett’s and other sights and sounds of bebop Manhattan. He also contrasts Vinny’s virile life as a mobster manqué with Sidney’s ethereal, redeeming world of books.
Sweet, affectionate, and bloody: a glance backward to a well-spent youth.Pub Date: June 1, 2005
ISBN: 1-58234-500-7
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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