A retired spook gets sucked back into the geopolitical slugfest in the last days of the Soviet Union, where the bad old Stalinists want to do a deal with the bad old Red Chinese to quash the threat of peace. Old cold warrior Hunt (Body Count, etc.) continues to chase the Ian Fleming food, wine, and spy-loving-women award. Quinn Chance, formerly of the CIA, has buried himself in rural Virginia—but his quality time ends when rogue KGB types decide he would be perfect to stick with the blame for a murder. His victim is to be the messenger from a peace-minded Politburo faction trying to get in touch with their oppos in Peking through the Chinese embassy in Washington. Chance is supposed to die in a fake shootout with the messenger—but his pocket calculator stops the bullet, and he takes it on the lam. Does his old employer, the CIA, help him out? It does not. For various reasons, the Agency would like to see Chance gone as dearly as the KGB would. He is saved from arrest by, of all people, the Chinese, who whisk him into hiding, provide him with the latest in plastic surgery, and hire him to sort things out for them. Sorting out takes him to Geneva, where he gambles and gambols in best Bondian fashion with his Chinese housemaid, with the gorgeous sister of an old CIA associate, and with the latest emissary of Soviet peace. There is a Hair-raising Chase on Swiss Roads in Expensive Cars. There are shootouts after expensive meals and in luxurious homes. There is stupendously satisfying, uncomplicated sex. When things don't turn out the way anyone planned, Chance is off to his ancestral village in Austria, then to a rendezvous with a Traitor From The Past in remotest Argentina. Period piece for the Cuban-cigar set.
Pub Date: Nov. 23, 1992
ISBN: 0-312-08157-X
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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