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JACK LONDON

AN AMERICAN LIFE

A vibrant biography that will surely entice readers back to the original source.

A highly sympathetic, knowledgeable portrayal strives to correct the “caricature” of this dynamic, brief life.

Having tracked his subject’s career since his scholarly research on London in the 1960s, Jack London Museum curator Labor (American Literature/Centenary Coll.; editor: The Portable Jack London, 1994, etc.) is an ideal biographer to capture the dazzling spirit and adventures of the acclaimed American author. London died at age 40 in 1916 from kidney disease and other debilitating conditions, having packed a great deal into a very short time, beginning with his teenage tramping days and stint digging for gold in the Klondike—experiences that provided the rich fodder for his “boys' ” stories and exciting animal tales like The Call of the Wild and White Fang. Thanks to his own self-promotion as the child of backwoodsmen and work as a voracious reader and wayfaring adventurer, legends swirled around London throughout his whole life and even death. As Labor fondly delineates, London did live large, seeming to be in a terrible hurry, starting with his childhood digestion of stories by Washington Irving, Poe, Stevenson and Kipling. He crammed his higher education into a few months and then restlessly took off again for the high seas, writing and speaking widely on socialist issues involving exploitation of the workers and social justice, diving into passionate love affairs and embarking on South Pacific adventures in his custom-made boat. All the while, London wrote like a fevered soul—1,000 words per day without fail—following what he called “the spirit that moves to action individuals and peoples, which gives birth and momentum to great ideas.” Labor grasps the fire and fight of this most American of authors.

A vibrant biography that will surely entice readers back to the original source.

Pub Date: Oct. 1, 2013

ISBN: 978-0-374-17848-2

Page Count: 480

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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