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HEART'S BLOOD

An eloquent, refreshing perspective on the struggles faced by those living along the Mexican border.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2012

Zinn (The Happiness Lottery, 2011, etc.) returns with a novel that chronicles the trials of a wandering cowboy who learns to take life by the horns.

Tyler “Ty” McNeil makes his living running rodeo shows, just like his father, now deceased, did. Ty spends several years traveling far from home to do so, which strains his marriage. He eventually chooses the rodeo over his wife, finding himself alone and unfulfilled. As a result, Ty makes a radical decision to take control of his life and live it on his own terms. Rather than blindly following the direction of others, Ty now desires to direct his own path, regardless of his obligations. The peace he makes and his thoughts on life as he grows older are magnificently captured through intermittent reflections. Ty abandons the rodeo and sets his sights on a ranch back home in southwestern Arizona. Zinn’s characterization is purposeful, deep and rich; each character is well-developed and instrumental to the story. An intriguing mix of cultures populates the novel: Anglos, Mexicans, Native Americans and mixed-blood families. Although the story chronicles the changes in Ty’s life over the course of two generations, the setting takes almost equal precedence, brought to life by vivid descriptions of the landscape. Among several entwined themes, family and its different permutations are at the heart of the novel: The rejection of Ty’s biological son contrasts Ty’s relationship with his adopted daughter. The author’s love for Arizona is immersed in her lyrical writing, as the impact of environment on family is threaded wonderfully into various plotlines.

An eloquent, refreshing perspective on the struggles faced by those living along the Mexican border.

Pub Date: March 20, 2012

ISBN: 978-1468140385

Page Count: 272

Publisher: CreateSpace

Review Posted Online: April 30, 2012

Kirkus Reviews Issue: July 15, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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